![]() That is, as each style developed under a particular set of historical and cultural conditions, their forms alone have acquired connotations. These styles are typically broken down into five classifications-seal style (zhuanshu), clerical style (lishu), standard style (kaishu), running style (xingshu), and cursive (grass) style (caoshu)-and are themselves rich in communicative implications. The Chinese writing system developed a variety of styles in response to centuries of political, social, and technological change. Like those of other writing systems, the communicative function of Chinese script is influenced by its graphical aspects, most prominently perhaps in the messages conveyed by its style (shuti). The process of learning to read and write Chinese characters (and the texts that employ them) has transformed greatly over centuries, but the tools and techniques of brush calligraphy have remained fundamentally the same since they were introduced in early Imperial China. While in terms of formal style and usage it has developed greatly over time, the consistencies that it does preserve offer a bridge to East Asian cultures of great antiquity, as well as immediate modernity. Has also served as a source for other writing systems, like those of Korea and Japan. The Chinese writing system developed over millennia and comprises hundreds of thousands of distinct characters. Brush calligraphy has historically been ubiquitous in the visual culture of China, Japan, and Korea, either as a complement to another kind of image (perhaps a landscape painting or part of an illustrated book) or as a work of art in its own right consequently, it is central to the study of East Asian art history.Ĭommunication is, of course, the primary purpose of any script. The form of the characters used in the Chinese writing system-as well as the other writing systems that were derived from it- have long held a place of special regard in the aesthetic traditions of the region. We follow with a brief discussion of the historical and contemporary place of brush calligraphy in East Asian education and society finally, we explore some pragmatic aspects of creating class sessions or even a course on brush calligraphy.Īs an artistic genre, brush calligraphy holds a central place in the cultural history in East Asia. In this article, we start with an overview of brush calligraphy, including its relationship with art, communication, and symbology. Re-envisioning Asia: Contestations and Struggles in the Visual ArtsĮast Asian brush calligraphy closely integrates aspects of art, communication, and symbology, thus offering educators a particularly rich set of resources from which to draw upon.Distinguished Service to the Association for Asian Studies Award.Distinguished Contributions to Asian Studies Award.Sumie Jones Prize for Project Leadership in Japan-centered Humanities.Striving for Diversity, Equity, and Inclusion in Asian Studies: Humanities Grants for Asian Studies Scholars.Gosling-Lim Postdoctoral Fellowship in Southeast Asian Studies.Cultivating the Humanities & Social Sciences Initiative Grants.Key Issues in Asian Studies Book Series.Connect, Collaborate, Contribute: AAS Membership Recruitment Drive.AAS Takes Action to Build Diversity & Equity in Asian Studies.AAS Community Forum Log In and Participate. ![]() Therefore, a beginner would benefit most from using a brush pen with a medium-sized tip which is less flexible. Its tip is large and rather flexible, which makes it more difficult to differentiate between upstrokes and downstrokes. The purple pen tip on the picture is rather small and thin, yet it is difficult to write small letters with it, as it is incredibly flexible and will, therefore, result in you having less control over the pen and the letters. However, this is also largely determined by the flexibility of your pen tip. As the size of the pen tip increases, so will the size of your writing. A thin tip will also enable you to write smaller with less effort. It probably goes without saying that a thin tip will create thinner letters. Width, length, flexibility, and the material of the tip of your pen are all things you should take into consideration. However, sometimes the pen you use can have a big impact on how your letters appear on the paper. Don't worry if your calligraphy isn't particularly neat or aesthetically pleasing just yet. ![]()
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